"Which when Arachne saw, as overlaid And mastered with workmanship so rare. She stood astonished long, ne aught gainsaid; And with fast-fixed eyes on her did stare, And by her silence, sign of one dismayed, The victory did yield her as her share; Yet did she inly fret and felly burn, And all her blood to poisonous rancor turn."

And so the metamorphosis is caused by Arachne's own mortification and vexation, and not by any direct act of the goddess.

The following specimen of old-fashioned gallantry is by Garrick:

"Arachne once, as poets tell, A goddess at her art defied, And soon the daring mortal fell The hapless victim of her pride.

"Oh, then, beware Arachne's fate; Be prudent, Chloe, and submit, For you'll most surely meet her hate, Who rival both her art and wit."

Tennyson, in his Palace of Art, describing the works of art with which the palace was adorned, thus alludes to Europa:

"------ sweet Europa's mantle blew unclasped >From off her shoulder, backward borne, >From one hand drooped a crocus, one hand grasped The mild bull's golden horn."

In his Princess there is this allusion to Danae: